工餘的時間保持創作與觀察社會意識形態，是一種奢侈，還是職業病?

新工作的試用期多設為三個月，那麼作為二十出頭的新人類、被現實棒打的「藝術家」初踏社會，又有多長的「社會試用期」?我們或最終都未能通過屬於大人的試用期。

《未過試用期 I Will Sick Leave Tomorrow》由張納祈、白𦥑、陳昭霖、胡曉楠、陳詠藍、陳燕孜、余芷晴、李美霞八位藝術家組成，以裝置藝術、金工及版畫等跨媒介方式，從客觀至主觀，探討自己與社會、成年後及大環境的「水土不服」等厭世反應；在魚蛇混雜的破事兒浮游會引來什麼反思，保持觀察對他們有何種意義。

我們或會成為社會其中一位破碎的成年人 ，但是也可極力地掙脫。

Is keeping up creativity and observing social ideologies during leisure time a luxury or an occupational habit?

The probationary period for a new job is often set for three months. As a twenty-something newcomer to society, and an "artist" who has been hit hard by reality, how long will our "social probationary period" be? We may never pass the probationary period that belongs to adults.

'I Will Sick Leave Tomorrow, a multi-media group exhibition of artists Cheung Nap Ki Clement, Pak Kau, Rainbow Chan, Kaio Wu Hiu Nam, Chan Wing Lam Lydia, Chan Yin Chi, Clover Yu and Mika Lee. Through Installation, metalwork, and printmaking, explores the subjective and objective experiences of their negative and cynical reactions toward society, adulthood, and the environment. By navigating through the chaos of life, to reflect on the significance of observing and reflecting on our surroundings.

We may become one of the broken adults in society, but we can also try our best to break free.